The Sixth Biennial
Dr. Henry Armitage Memorial Scholarship Symposium
of New Weird Fiction and Lovecraft-Related Research
NecronomiCon Providence convention in Providence, RI
15-18 August, 2024
Location: Omni Hotel, Providence – Bristol/Kent Room, 3rd floor
Symposium Chair: Dr. Elena Tchougounova-Paulson, editor of Lovecraftian Proceedings (Hippocampus Press)
Symposium Co-Chair: Prof. Dennis P. Quinn
*2024 LIST OF ACCEPTED ABSTRACTS and Preliminary Schedule*
FRIDAY, August 16
“I have dwelt ever in realms apart from the visible world”: An Introduction to Lovecraft’s universe
9:30am
1. Sean Branney, Andrew Leman (The H.P. Lovecraft Historical Society) – “Night Black Deeds”
2. Fred S. Lubnow – “An Environmental Assessment of the Colour in H.P. Lovecraft’s “The Colour Out of Space”
3. Harley Geiger, Tod Beardsley and Claire Reynolds – “Vanitas Horendum Lex: From Beyond the Bar”
“The appeal of the spectrally macabre”: theoretical approaches to Cosmic horror lore
11am
1. Benjamin Breyer – “Richard Corben’s Art of Adaptation: The Comic Adaptations of the Fiction of H.P. Lovecraft”
2. Clay Draper – “Unveiling Azathoth: Lovecraft’s Antimony of Enchantment and Revulsion”
3. Heather Miller – “Melville, Moby-Dick, and the Shaping of the Lovecraftian Gaze”
4. Tim Jarvis – “‘Always-Already Unrepresentable’: Towards a Weird Poetics”
Lovecraftian Grimoire through the lens of Modernity (RPG/ Animation/Comic)
3:30pm
1. Adrian Berk – “Heroic Nihilism – The Challenges of Lovecraft as TTRPG Narrative”
2. John R Harford – “Lore Without The Library: Mythos Beyond the Literary Structure”
3. Joshua Shockley IV – “Spear, Fang, and an Age Undreamed Of: The Survival of R.E. Howard’s Worlds Through Genndy Tartakovsky’s ‘Primal’”
4. Michael A. Torregrossa – “Cthulhu Strikes Again: An Investigation into Shadows Over Avalon (2022-23)”
SATURDAY, August 17
Towards Horror and Weird: Lovecraftiana in translation / national literatures (comparative discourse)
9:30am
1. Carlos Gonzáles – “Mariana Enriquez’s “Under the Black Water,” “Dirty Kid,” and “The Cart” as homage to Lovecraft”
2. Gus Kraus – “Cosmic Terror ‘Crystallised’: A Lovecraftian Episode in an Indian Epic”
3. Eric Williams – “Translating Weirdness: Farnsworth Wright, World Literature, and the Creation of Weird Fiction”
4. Pierre Van Cutsem – “The “Polish Poe/Lovecraft”? Stefan Grabiński’s Weird Fiction in a Comparative Perspective”
“The surpassing despair which flows from a loss of identity”: Postcolonial historiography and race in Lovecraftiana
11am
1. Christian Roy – “Navigating the Shifting, Idiosyncratic Colonial Historiography of Lovecraft’s Quebec Travelogue”
2. Christopher DaRosa – “Reclaiming Lovecraft from Lovecraft: The Evolution of the Genre of Cosmic Horror”
3. Daniel Holmes – “Rhode Island in 1912 AD: Immigration, Catholicism, and the Nativist Grotesque”
4. Melissa Stewart – “Lovecraft’s racism and eugenics”
“If I am mad, it is mercy!”: Psychology of horror
3:30pm
1. Benjamin Davis – “Madness and Psychosis in Lovecraft’s World”
2. Kyle Gamache – “Died Screaming in a Madhouse”: A look at asylums in Lovecraftian fiction
3. Taylor Walker – “Eldritch Institutions: The Birth of American Asylums, the Founding of Butler Hospital, and a Confrontation with Lovecraft”
4. Katherine Kerestman – “Intertextuality and the Violability of Self in Twin Peaks”
“I have seen the dark universe yawning”: anatomy of evil in horror
5pm
1. James R. M. Young – “Stumbling Along Those Farther Slopes that Look Out Over Some Accursed Abyss: Aspects of Evil in the Main Stories of H. P. Lovecraft”
2. Nathaniel R. Wallace – “I AM THE SOVEREIGN: Imperialism and Cruel Optimism in Robert W. Chambers’ “The Repairer of Reputations””
3. Sean Moreland – “The dread contemplation of infinity”: George M. Gould and Cosmic Horror Before Lovecraft
4. Perry Neil Harrison – “The Phonotactics of Fear: H.P. Lovecraft and ‘Unknowable’ Languages”
SUNDAY, August 18
“Ethereal beyondness”: Philosophy/Religion/History of occult in Lovecraftiana
9:30am
1. Anthony Wynands – “Spica and the “Escapist Imagination” of H. P. Lovecraft”
2. Eric Steinhart – “Horrific Platonism”
3. Jack Pettus – “Whateley’s Leviathan: Imaging the modern state through Lovecraft and Hobbes”
4. Khôra Martel – “On Cosmic Situationism: Worldmaking and Speculative Irrealism in the Inhuman Sciences”
“Searchers after horror haunt strange, far places”: Historic vs Cinematographic landscapes as horror sources
11am
1. Dale Crowley – “The Shadow Over Lake Erie: A Trip to Cleveland and its Influence on H.P Lovecraft’s Innsmouth”
2. Kejia Wu – “The evolution of monster representation from H.P. Lovecraft’s “At the Mountains of Madness” to contemporary entertainment mediums”
3. Sean Lovitt – “Cops for Crops: Utopia and the Weird in The Wicker Man”
4. Troy Rondinone – “The Mothman Chronicles: Investigating the Unseen”
“…and now I believe I have found a way to break down the barriers”: Body, Gender and Sense of Belonging in Lovecraftiana
3:30pm
1. Jessica Tucker – “My Pronouns are Unknowable: Historical and Evolving Conceptions of Gender and Mythos Entities”
2. Peter Muise – “Muscular Men and Prodigal Sons: Guilt and Gay Panic in “The Lurking Fear””
3. Robert Ames – “Comparative Unhumanities: Genealogy and Monstrous Bodies in Weird Fiction and Persian Epic”
4. Zachary Rutledge – “Time as a Narrative Tool in “The Silver Key”: A Figural Interpretation of Randolph Carter”
The 2024 CALL FOR PRESENTATION ABSTRACTS can be downloaded here: Armitage-Symposium-CFA-2024.pdf – NOW CLOSED!
CALL FOR PRESENTATION ABSTRACTS:
The Dr. Henry Armitage Memorial Scholarship Symposium seeks Lovecraftian and Weird Fiction related research for the NecronomiCon Providence convention. Providence, RI, August 15-18, 2024
The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) invites submissions for the upcoming Armitage Symposium, a conference that will be held within the convention. The Symposium is substantially dedicated to the life and works of the Providence-based Weird fiction writer, the father of Cosmic horror, H.P. Lovecraft, but also to his milieu, his literary contemporaries, predecessors and successors in the Weird/horror/Gothic/Neo-Gothic lore. For many decades, Lovecraft’s legacy has been the central topic for challenging discussions, and many prominent scholars have joined in debates, followed by significant textual insights, great literary discoveries, and numerous high-quality academic publications. The Armitage Symposium in 2024 will continue to explore Lovecraft’s works in relation to classic and contemporary Weird fiction, science fiction, other similar genres of horror/Gothic/Neo-Gothic literature, modern philosophy (phenomenology and epistemology), literary theory, linguistics, cultural history and cultural theory, archaeology, ethnography, etc.
Possible topics for 15-minute papers might include:
- Lovecraft’s influence on the American or, broadly, Western literary canon
- Lovecraft and Cosmic mythology
- Lovecraftian Mythos as a cultural phenomenon
- Lovecraft and religion/mysticism, and race/gender studies
- Lovecraft and Eurocentrism: origins and complexities
- Lovecraft’s correspondence as pre-blogging/travelog
- “Arkham House” and its heritage: further discoveries in its archival history
- Horror/Supernatural/Gothic fiction: its origins, historical frames and defining terms
- The works of potent and influential masters such as Dunsany, M.R. James, and Clark Ashton Smith
- Modern literary and cinematic perspectives in Lovecraftiana and the Supernatural
- Women in Lovecraftiana/Weird fiction in the past, present, and future
- Contemporary philosophy of weird, horror, and the supernatural: interpretive approaches
Traditionally, the Armitage Symposium has aimed to foster explorations and disseminations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other fiction writers, historians, art critics, philosophers, archivists, bibliographers of the past and the present. However, all submissions that contribute to interconnecting new linguistic and literary theoretical concepts in academic Lovecraftiana/horror studies are very welcome.
Specifically for the Armitage Symposium, we are particularly interested in submitting works from academics: undergraduates, PhD students, post-graduates, independent scholars, established researchers. Presenters should be prepared to deliver a fifteen to twenty-minute oral presentation, and are invited to submit a manuscript for possible inclusion in the peer-reviewed Lovecraftian Proceedings no. 6.
For consideration, interested scholars should submit an abstract (of around 250-300 words) in Word format along with a short bio (around 100 words) to the symposium chair, Dr Elena Tchougounova-Paulson, at [email protected].
The deadline for submissions is May 24, 2024. Early submissions are encouraged.
In addition to these talks, NecronomiCon Providence will also feature numerous traditional panels and presentations, given by many of the top names in Lovecraftian studies and the global Weird Renaissance. For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please, visit our website: necronomicon-providence.com
About the Symposium:
The Lovecraft Arts and Sciences Council (the organizer of NecronomiCon Providence) hosts the Armitage Symposium to showcase academic works that explore all aspects weird fiction and art, from pop-culture to literature, including the writings and life of globally renowned weird fiction writer, H.P. Lovecraft. Topics of value include the influence of history, architecture, science, and popular culture on the weird fiction genre, as well as the impact that weird and Lovecraftian fiction has had on culture.
In past years, the Armitage Symposium has aimed to foster explorations of Lovecraft’s elaborate cosmic mythology, and how this mythology was influenced by, and has come to influence, numerous other authors and artists before and since. Additionally, we promote all works that foster a greater, critical, and nuanced understanding weird fiction and art (and related science fiction, fantasy, horror, etc.).
Selected talks will be presented together as part of the Armitage Symposium, a mini-conference within the overall convention framework of NecronomiCon Providence, 15-18 August 2024. Presenters will deliver fifteen-minute oral presentations summarizing their thesis, and are invited to submit a brief manuscript for possible inclusion in a proceedings publication.
For more information on the Armitage Symposium, or the overall convention and the themes to be explored, please visit our website: necronomicon-providence.com – where we will post updates and details as they develop over the final weeks leading to the convention. In addition to these talks, NecronomiCon Providence will feature numerous traditional panels and presentations given by many of the top names in the global weird renaissance.
The 2024 CALL FOR PRESENTATION PROPOSALS can be downloaded here: Armitage-Symposium-CFA-2024.pdf